The Art Market at Holmfirth – putting your (he)art out for all to see.

Writing the last blog post has finally enabled me to catch up with more recent events that could only be written about after the last post (if that makes sense….) So much has changed since I am now concentrating more on my artwork and I have some very exciting plans in the works for the future. But a rather exciting thing has already happened.

Now I mentioned that I would not be applying for or exhibiting at any contemporary craft fairs for the foreseeable future and am instead focussing more on art shows and exhibitions (it pains me that there is such a distinction in this country, but unfortunately there is – craft and art are seen as two completely different things in the UK but that is a discussion for another post perhaps…..)

However there is one show that I have been lucky enough to have exhibited at for the 5th time just a couple of weeks ago and I think it is fairly unique in the fact that it champions both contemporary craft and fine art in equal measure, so therefor it is one that I have no hesitation in exhibiting at.

art market 2013

The Art Market in Holmfirth, West Yorkshire has just organised its 11th event and is going from strength to strength. Run by Victoria Robinson, Emily Stubbs and Brendan Hesmondhalgh and with the talents of PR and marketing expert Fiona Pattison of Happy 4pr (more on Fiona in the next post) they are dedicated to bringing together a diverse collection of artists and makers together for the viewing public – you can read more here.

art market 2013

I was rather more nervous setting up for the show as for the very first time (ever) I was exhibiting artwork only – no sculptures, no textile characters, no brooches… none of the quirky wee faces that usually draw people in, no smaller items that could be seen more as something to buy for a gift. Just a selection of larger framed paintings and smaller framed portraits, a few select prints and art cards – a very minimal display compared to previous times I have attended.

art market

It was a brilliant weekend. I felt very happy with my display in the end and I was satisfied that only having artwork made for a strong representation of my current work. Lots of people gave very positive and encouraging feedback and although lots of people commented on the fact that I did not have sculptures, not one person thought it was a negative thing. Out of the 7 small portraits I took, I sold 5 and had lots of interest in my larger pieces too. I had comments such as people thought that my painting had come a long way recently, that the emotion, storytelling and pathos were the strongest element of my work. One gentleman even said that he on viewing paintings he usually looked at and judged  technique first and subject matter second but that in my work the emotion draws you in and elicits a response but then the technique serves to back up the quality of the work – that might have been one of my favourite comments of the day!

Until….. a very elderly gentleman came up to me as I was packing up and told me that he had wanted to chat to me all day but that I had been so busy so he had waited till the end to see me. He wanted to tell me with great sincerity and emotion how much he loved my work, how much it moved him and how beautiful he thinks it. He almost had me in tears with his words and encouragement and he absolutely made my day.  Whenever I feel down about my work or have doubts, I will remember that lovely mans words – it makes it all worth it.

photo courtesy of the art market Uk

But that was not all. The icing on the cake was that I won the award for Outstanding Artist as judged and presented by local art legend Ashley Jackson. This is my second time winning the award – the last time I had a table full of sculptures and a rather emotional response. I have come such a long way since that show 2 years ago and whilst it is still nerve-wracking and completely out of my comfort zone standing there putting my work before the viewing public, I feel even more sure that I am a wee step closer to making the work that truly means the world to me. To receive an award for that, from such an esteemed artist makes it even better.

journal page

Well thank you for taking the time to read this novel of a blog post. I will just leave you with this handy hint for today – when exhibiting at an exhibition or an event – display an open sketchbook on your table or stand. I took my extra large painted moleskine sketchbook and it is no exaggeration to say that it received more attention than anything else on my stand. People took so much time looking through the pages and it was a greater opener to talking to people about my work. I had a few people asking if it was for sale (of course it wasn’t) but even more asking if I would do a printed book. Customers love gaining an insight into the artist behind the work. They love seeing the story, looking at works in progress and seeing all the work that goes into the end result of a finished painting.

Till next time.

x x x

Following a different path.

A while ago I made a decision.

For the last 3 years or so I have been painting and sculpting.

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Painting and sculpting. Sculpting a lot and not painting enough. Sculpting for hours and hours on end and painting when I had a spare moment. I love sculpting, I love my wee creatures, I love painting, I love creating painted narratives. I work from studio and I also have a part time job. I have never counted the hours in a week I work (many many many), it does not matter to me. My artwork is a part of my life that is not counted in hours spent – more in how it makes me feel, how I express myself, how I live.

At the end of last year after a particularly gruelling few months preparing for the 5 large contemporary craft shows I exhibited at and the various exhibitions I took part in, the hours and hours of sculpting were causing problems in my hand and as it turns out I have damaged the ligaments in the palm of my hand – nothing that rest will help, scar tissue has now formed and sculpting causes me great pain.

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It should have been devastating.  Those wee creatures are my pride and joy, they are created from my hands and I love when people see them for the first time, I love the response they get even from those who do not love them as I do. BUT this hand injury has brought about the biggest sense of relief that I could never have foreseen. It has caused me to make a decision that I would have perhaps not made otherwise. In all the months of preparation for shows the sculpting took over and the painting was put to the side and it never really felt right. I was starting to focus on the making and selling rather than the creating and expressing and storytelling.

Soooooo!! At the beginning of this year I made the decision to focus entirely on my painting (alongside my part time job) and explore avenues for teaching art and to put the sculpting aside (perhaps not forever, but certainly for the foreseeable future). A change of path indeed. I pulled out of a show I had been wanting to attend for years, I did not apply for any of the brilliant contemporary craft shows I normally attend and I have been painting and drawing since the new year.  It feels great. It feels like the right thing to do. It feels as if I am on the right path. It is scary and freeing and exciting all at the same time.

Gathered at the shore

Now that we are half way through the year and I have not sculpted for more than 6 months I have no regrets (although I do miss them too) Perhaps someday the half finished sculptures on the tray in my studio will be finished but for now the ideas for new paintings are flowing, boards are waiting to become works of art, sketches are waiting to be developed. I could not be in a better place.

 

Progress of a Painting …. part two

Continuing the journey of my latest painting (the inspiration and beginnings as described in this post) after developing an idea from images, places, dreams and sketching them out eventually the idea starts to come together for the first time on the canvas….

As always the light and atmosphere are really important in my work and I wanted to get the balance of establishing an interesting background but without it intruding on the central character and the emotion.

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Lately I have been working using lots and lots of layers of glazes of colour, building them up all over the painting – painting, wiping away, painting, wiping away to give a translucent quality that changes as the light shifts. Painstaking slow but very satisfying when the atmosphere starts to appear.

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Even with all the preparatory sketches, the face changed many times with this piece – painted and repainted over and over. I felt I had a clear idea of how she would look but I am discovering that rather than applying the character to the canvas with the paint, I am using the paint to excavate the character from the canvas (if that makes sense). At many points I probably could have left her as she was but there is always that sense that she is still not who she is supposed to be, so I paint again, changing the profile and this feature and that shadow – I am discovering who she is over many hours. It is the eternal question – how do you know when  a painting is done. There is no formula – you just know

Sometimes when I feel a painting is finished, I keep going anyway, just to see what will happen. More subtle and not so subtle changes, more and more glazes and layering of colours, more rubbing away and the emotion and atmosphere that I am seeking begins to come through.

Then finally I know it is done. I can leave it for a few days and go back to make sure I still feel the same way. But when I know, I know.

So here we have

Seeking Truth behind those Bright, Seeing Eyes

Acrylic on Board 2013