On my easel today …

At the harbour

Last Monday I was desperate to get some artwork done as it had felt a while since I had really been immersed in creating something. I decided to work on a larger piece, just on paper, mixed media predominantly working in oil bars. I didn’t want to think about the end result, just to enjoy the materials and the process and the piece above is what came out. I love working with oil bars – they enable me to make marks boldly and quickly, building up a surface that I can then draw into.

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Today I also painted another couple of harbour houses – this time at 10 x 7 inches they are twice the size of the smaller pieces from this week allowing for more detail and texture. I will be bringing back any that don’t sell this weekend and putting them in my online store next week.

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Knowing what to leave out…

harbour houses

I have been working on some more of the little harbour houses in the last day or so and the thing that I am finding most fascinating about them is the way in which they are teaching me what to put in and what to leave out.

harbour houses

Not everything needs to be there for the message to be conveyed.

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Also – it is how I edit  the images that makes my work completely unique to me. If we were all painting the same scene it would be the things we would choose to leave out as much as what we choose to include that would make each piece unique to us.

harbour houses

I am working from photos for these studies. It is not ideal as I would really rather be there working from life (but perhaps soon) but in working from these images I am making conscious decisions about

– which houses to put where (I am using the photos as inspiration rather than copying them),

– how many houses to include (sometimes one in the right place says everything I want it to say)

– drawing a suggestion of other pieces of the image

– choosing to work more on the atmosphere rather than every window and line

– creating random gestural marks that  add to the piece making it more what I feel rather than see

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I am really excited about discovering more about this and will blog about it as my thoughts develop further!

You can read a little bit more about my work, inspirations and process here at this blog for this weekends upcoming Art Market.

Holmfirth Art Market

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This week I am excited to once again be exhibiting at the fab Art Market in Holmfirth, West Yorkshire.

It is my one and only show left for this year and I can’t tell you how good that feels. In the last few years I have attended many shows at this time of year with my sculptures and it would ordinarily have been a truly stressful time with making and running around the country setting up stands and trying to sell. This year is a complete change now that I am concentrating much more on my paintings and have let the sculptures go for the time-being.

I won a place on this weekends show after being awarded Outstanding Artist at the Summer Art Market and it really is one of favourite shows for many reasons, not least that for some reason my work really has a home there with so many the people who love my work residing there.

So you will find me in my element at the preview on Saturday 9th November 8 till 10pm and all day Sunday 10am till 4pm. More info here.

Come and say hello if you can. I will have my brand new landscapes with me and possibly a few more from my studio time this week.

Changing the Subject

Changing the Subject

Small Harbour Houses

For the longest time it seems I have been focussed on the people in my work, character, expression and what we are about. But I have also had a long held fascination with the places we occupy, the places we come from.

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It is something I am really exploring in my latest work – figures and communities with the story also being told through the backgrounds and their environments but I have also wanted to work on some landscapes too.

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I have built up a fair amount of reference photos from visits to harbour towns and villages from holidays and places near my hometown and it has been great to dig these out and use them for some small pieces.

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I tried to work loosely – not wanting to forgo that haunting atmosphere that is such a central part of my work. Still wanting there to be emotion – a presence – an idea of the people that lived there. The landscape art that I connect with the most is that which says ‘someone walked over this land, lived in these houses’ the relationship between people and the places we walk or reside in. The way humans have touched the land and depended on it and changed it, for better or for worse.

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It was also fun to work in a series – painting four at the same time. They are only little (7 x 5 inches) but I can really see these marks and lines translating to larger work and can’t wait to try some bigger pieces.

I will have them for sale (£45.00 each) at the Holmfirth Art Market this coming weekend – mounted but not framed – so really affordable original art! Have worked on a few more today and hope to have some larger ones available too.