Continuing the journey of my latest painting (the inspiration and beginnings as described in this post) after developing an idea from images, places, dreams and sketching them out eventually the idea starts to come together for the first time on the canvas….
As always the light and atmosphere are really important in my work and I wanted to get the balance of establishing an interesting background but without it intruding on the central character and the emotion.
Lately I have been working using lots and lots of layers of glazes of colour, building them up all over the painting – painting, wiping away, painting, wiping away to give a translucent quality that changes as the light shifts. Painstaking slow but very satisfying when the atmosphere starts to appear.
Even with all the preparatory sketches, the face changed many times with this piece – painted and repainted over and over. I felt I had a clear idea of how she would look but I am discovering that rather than applying the character to the canvas with the paint, I am using the paint to excavate the character from the canvas (if that makes sense). At many points I probably could have left her as she was but there is always that sense that she is still not who she is supposed to be, so I paint again, changing the profile and this feature and that shadow – I am discovering who she is over many hours. It is the eternal question – how do you know when a painting is done. There is no formula – you just know…
Sometimes when I feel a painting is finished, I keep going anyway, just to see what will happen. More subtle and not so subtle changes, more and more glazes and layering of colours, more rubbing away and the emotion and atmosphere that I am seeking begins to come through.
Then finally I know it is done. I can leave it for a few days and go back to make sure I still feel the same way. But when I know, I know.
So here we have
Seeking Truth behind those Bright, Seeing Eyes
Acrylic on Board 2013